Only one episode of this aborted series seems to be out on the Internet, which is the video you see above. In fact, three episodes were commissioned and finished; the two other episodes are lurking in someone’s hard drive, and although I could get a copy of it, I don’t think I’m legally authorised to upload it, regretfully.

All of the character animation in those three episodes were done by Brett Tunnicliff, save the titles, which I had done. Terry and I had been responsible for modelling and texturing the characters. I rigged, rendered, composited, and cut the the episodes myself. The direction of the first 2 episodes was headed by the boss. But by the third, its future prospects for its continuation waned — as did interest in it — and I was given the honour of finishing off the series oddment as a quasi-director.

Predicatably, the third was my favourite as I felt a bit freer to experiment; no one really cared enough to put their 2 cents into it by this time. So I tightened the storyboard to make the cuts fit in better, and began with a beauty pass timing animatic that I would get sign-off from the boss, and things proceeded smoothly from there. Brett commented that he particularly enjoyed the flow of the third episode, which is a nice thing to hear, as I enjoyed running my own small project.

No one would probably see that work, unfortunately. And sure, the end result might look dodgy to some, but to remember one of the reasons why I post these things: many jobs come with disadvantageous circumstances that affect the outcome, but if people knew just how much work was put in, they’d know it would have been a surprise anything came out of it at all. Most people appreciate only just the bells and whistles, or the polished gold trims, but I’m here saying that there is a hidden engine that powers all creative endeavours that should be recognised on equal footing.